Tuesday, 25 September 2012

Dolphinholme



25/09/2012- Spent two days and one night at Dolphinholme residential. I attempted to do some charcoal/charcoal pencil sketches of the goats on the farm. I found this quite difficult, as they move very fast! As a result of this, I found my sketches weren't the best I could do.


Observational sketch of goat, using charcoal. 


26/09/2012- Spent the day taking photographs from around the farm.


































Saturday, 22 September 2012

Butterflies


Took some close-up and macro photographs of some butterflies on a Buddleja tree. The vibrant colours attracted me to use the photographs in my work/sketchbook and, of course, it relates to the Museum project.














Tuesday, 18 September 2012

Roundabout Week 2- Graphics and 3D

AM- Jo, Graphics/Illustration. 

'Drawing and Reproduction'- Reproducing images in different ways:

· Image maker- pva on material
· Carbon paper- tracing images
· Tracing paper 
· Photocopier- scale 
· Scanning
· Photoshop
· Collage- backgrounds/surfaces

Artists to research: 

· Rob Ryan
· Sabrina Ward-Harrison

Lost all work from this class! 


PM- Kim, 3D. Produce a wire drawing. The outcome produced needs to explore the idea of reproducing a primary photograph, drawing, painting, object, etc. 

Tuesday, 11 September 2012

Roundabout Week 1- Fine Art and Textiles

AM- Richard, Fine Art. Worked into photographs/ post cards with acrylic paint. I like the rough/scratchy surface when using sandpaper on the acrylic paint because it makes the image fairly distressed. Artists to research:

· Richard Pattison
· Gerhard Ritcher 
· Robert Rauschenberg


PM- Danielle, Textiles. Projected objects/ photo's onto paper and then used protein dye and bleach to trace the patterns. I liked the blurred effect the bleach gives when mixing with the dye. I could improve these pieces of work by experimenting more with a sewing machine to work into the lines I created to add more texture/ surface and to highlight the lines more because the dye was quite pale on the sugar paper I used. 

Thursday, 6 September 2012

Blackburn Museum

6/9/2012- Took notes from Megan's journal (wasn't in yesterday):
               
Rest of class went into the Media room and looked at the process of Studio Videoing.  
                 
                 'Free Art' Lecture by Richard Cross:

o Whitworth Gallery
o Liverpool Tate
o Walker Art Gallery
o Preston Harris Art Gallery
o Burnley Town Hall
o Blackburn Museum
o Manchester Art Gallery 

                (Liverpool Tate Trip- 19th Sept)

Jamie talked about a project- experimental drawing (part 1). Then went to Blackburn Museum in the afternoon.

Influences/connections to artworks at Blackburn Museum-  emotional connections / visual connections through photography, video and film, drawing, music, etc. Write down ideas in journal for the project- have an idea at the end of the day.

Paintings that appealed to me because of texture-



                     
  'End of the Butterfly Chase' by Edward Hornel
                            

  'Alto Rhapsody' by Ronald William Web 
            
                                'selection of paintings done to the music of Kathleen Ferrier.' 



 
The idea of making Indian-style jewelry appeals to me because of the meaning, style and colour-


                    
 'Indian Gujerat' -heavy jewelry equals wealth


'Amulet Necklace'- Silver shapes are believed to protect the bearer from evil


Victorian Curio featuring two panels of mounted insects and butterflies, 1870's. Such exotic objects were very popular with the Victorian middle class. 


                                            

                                        Insect cabinet images:





  


The insects and butterflies attracted me because of the colour and the range of shapes and sizes. I also like the variety of colours; from fairly bleached, dusty colours to dark and powerful pigments. 

After looking at the Curio and the beetles, it gave me an idea to use a mixture of textiles and real insects and butterflies. I then went downstairs and took photographs of stuffed birds in organic surroundings to get more ideas of colours and textures I could use.
















The last piece of inspiration I had was when I visited the 'Egypt Room'. The idea of preserving and keeping the memory of something appealed to me and the expansive use of clay and ceramics gave me the idea of putting insects that would be otherwise over-looked, into clay to preserve them. This would then hopefully finalise into a 3D clay piece. 

After having an initial idea that I am happy with, I plan to do research into clay pieces similar to the idea I have, looking at different artists and possibly types of insects, butterflies and organic surroundings.